<< FLAC Mavis Staples - Live - Hope at the Hideout
Mavis Staples - Live - Hope at the Hideout
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FormatFLAC
SourceCD
BitrateLossless
GenreOther
GenreRnB
TypeAlbum
Date 12/04/2010, 21:55
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Post Description

Serial #.............: Anti
Artist...............: Mavis Staples
Album................: Live - Hope at the Hideout
Year.................: 2008
Genre................: Gospel
Comment..............: Prince Related
Type.................: Live
Cover(s) Included....: Yes
Audio Format.........: Lossless
Bitrate..............: Flac
Source...............: CD


Traklist

1. For What It's Worth
2. Eyes on the Prize
3. Down in Mississippi
4. Wade in the Water
5. Waiting for My Child
6. This Little Light
7. Why Am I Treated So Bad
8. Freedom Highway
9. We Shall Not Be Moved
10. Circle Intro
11. Will the Circle Be Unbroken
12. On My Way
13. I'll Take You There

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Chicago is Mavis Staples' hometown so she is in exceptionally fine spirits on
this 2008 live set, her first solo concert recording, at the Windy City's
Hideout venue. Backed by a stripped down yet phenomenal three piece band of
veterans featuring guitarist Rick Holmstrom, drummer Stephen Hodges and bassist
Jeff Turmes along with a trio of backing vocalists, Staples comes to "bring joy,
happiness, inspiration and some positive vibrations." Mission accomplished on
this hour long set that borrows liberally from her 2007 civil rights oriented
album We?ll Never Turn Back, but ups the energy and commitment for the live
show. Her group burrows into a deep, dark swamp groove led by Holmstrom's
shimmering guitar perfect for Staples' husky, gospel voice to pour into. On
"This Little Light" she vocally riffs off the repeated lick, bringing intensity
to the song only hinted at in its studio version. She digs back into her catalog
to revive the traditional "Wade in the Water," here given a slight funk backbeat
and brought to shore by Staples' gutsy, churchy reading. She's practically
forced into a closing encore of the Staples Singers' signature tune "I'll Take
You There," a sing-along for the audience played against skeletal guitar and
enough joyous handclaps to raise the club, and now the listener, a little closer
to heaven. -- Hal Horowitz

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